![]() Thanks, I wasn't aware that importing into the Pro1 would allow me to see/edit patching offline, I'll give it a go. I would hope it would include all hardware available now. I've also managed to get hold of a 250Gb external SSD (USB3) (I do have internal SSD too but it's getting full) to collect all the audio on. The word from Midas is that they will be releasing a new version of the stand alone editor shortly. The owner is even cool with me taking it to Spain!!!Īnd the venue are cool with it and have confirmed an open AES50 port on the Pro1 I have secured the loan FOR FREE of a DN9650 with a MADI network card AND an RME MADIface USB complete with 30m CAT5 - this will allow all the gear to be on stage and allow me to start recording at the start of the show and some BNC cable for the weekend. These can be phase aligned with the rest of your mix and blended in to add the feel of something actually happening in a real space, and can be brought up at top and tail of tracks to give crowd noise etc. I'd also suggest either bringing along or asking the venue to supply ambient mics to be recorded along with the rest of your input list. If it looks like it'll all come together, I'd go in there with a well prepared template file in your DAW of choice, and have an extra person with you to operate the recording laptop, as there's every chance that the house guy might be pressed for time to check it's all good before your show starts. License: Freeware Total downloads: 25 Latest version: 1.1 Ooops download link is gone Screenshot You could have downloaded MiDAS PRO 1. Might have to do a bit of ringing around as it's quite specialist equipment and will probably only be carried by rental houses that predominantly use Midas consoles. If he's happy to do it, I'd approach a pro audio hire company local to the venue and enquire about the kit. I'd start with asking the venue if they're happy to facilitate it, as it's a bit of extra faff and configuration for the guy behind the desk to worry about, when he's likely to already be dealing with tight changeovers and all the other complexities of a live show. Pretty sure you need to connect a Klark Technik DN9650 to the AES50 port of the Midas, and the 9650 needs to be loaded with either:Ī: a Dante card which can be connected to a computer running Dante Virtual Soundcardī: a MADI card which can be connected to a computer with something like an RME Madiface in between
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